
What follows in Mike Bartlett's new play Albion, is an extraordinary four acts. Audrey's need to take control and make a fresh start is constantly interrogated and found wanting. Her daughter resents the nannying and her husband has abrogated all responsibility. Her staff present with diverse and complex demands that disrupt schedules and budgets. Friends whose loyalty she took for granted, turn on her. The ghosts of the dead linger on long after their ashes are scattered. What on earth made her think she could do it?
On the way out of Albion there was a lively roadside discussion. Was the driving metaphor modern England or the battlefield that is Brexit? I think the latter. This beautifully directed parable draws on the sentimental longing for halcyon days to remind us - with humour, pathos, romance, and challenge - that nothing can ever be that simple. It draws beautiful performances led by Victoria Hamilton's arrow-straight Audrey. The choreographed planting scenes on Miriam Buether's simple set lift the heart, and there is an unforgettable sequence in which Vinetta Robinson as Anna, turns to the earth for comfort.
In conclusion: Albion is Bartlett's first production with director Rupert Goold, since King Charles III. It is another timely hit. Last night was a preview. On the premise that it will get even better over the coming weeks, I came home and invested in three £10 restricted view tickets to take the kids later in the run. It's that good.
Almeida Theatre, Almedia Street, London N1. Run Ends November 24
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