
Yet Jatinder Verma's production is so elegantly directed and choreographed that nothing happens by chance. What are we to make of a Macbeth brim-full with contradictions? It's a tragedy that's partly comedy and the comedy works better. The framing is Indian but there is nothing in the presentation that demonstrates an Indian sensibility. This is a tale about murder and megalomania, but Robert Mountford's unfeasibly handsome Macbeth is so laid back he's like a man getting steadily more irritated because he can't find his car keys. As Lady Macbeth, Shaheen Khan has the look and feel of Vikesh from The Voice - lots of drama, not a lot of conviction. They're the least scary pair in the pack.
The tension in the piece is supplied by Hassan Mohyeddin's score, delivered by Rax Timyr who drums and beatboxes playfully, creating and building mood particularly around Kev McCurdy's meticulously choreographed fight scenes. Claudia Mayer's spare set bears no Indian imprint, but the costumes are fabulous. The men wear suits in earth colours, draped with sumptuously decorated Kashmiri type scarves. The women are the least colouful in a pleasing reversal of the norm.
In conclusion: This is an interesting Macbeth, but the comedy and the lack of consistency declaws what should be visceral theatre. Plaudits to Shalini Peiris who steals all her scenes, playing the porter as a Sri Lankan maid and milking the sexual imagery for laughs. Umar Pasha's grieving Macduff, despite being played with back to the audience, is deeply moving.
References
Macbeth, UK Tour, Details and tickets
Stratford Circus, Theatre Square, London E15 1BX
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