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The boy soldier motif is a part of modern history's crueller moments from the Hitler Youth to Mao's Red Guards, from numerous African rebellions to the gunmen of ISIS. It is painful to watch a reenactment of their corruption and its consequences even for just 90 minutes. Matthew Dunster has turned Atuona's work into an extraordinary, immersive, production with the standing audience herded around the auditorium's red sand floor by teenage gunmen high on cocaine and heady with military power. There is a rape scene where one member of the audience wept openly and all were tearful. Liberian Girl is hard going on all one's senses from the feet to the brain.
In conclusion: I saw this play the day a young girl was packed with explosives and detonated in a Nigerian market. The exploitation of children in conflicts continues. An impressive and superbly choreographed young cast provide tension and pace, taking serious knocks on Anna Flelschie's evocative set. Headed by Juma Sharkah as Martha, they are: Landry Adelard, Michael Ajao, Marleme Diouf, Fraser James, Edward Kagutuzi, Cecilia Noble, Valentine Olukoga and Weruche Opia.
References
Liberian Girl, Tickets
Royal Court Theatre, Sloane Square, London SW3. Production ends 31 January
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