The catalyst in Uncle Vanya is lovely Yelena, the young wife of Vanya's elderly brother-in-law. The Professor, as he's known, inherited the estate when his first wife, Vanya's sister, died. Since then he's lived in the city, but illness brings him back with Yelena to the estate that Vanya has painstakingly been running. Vanya is instantly smitten by the young woman. So too is the robust and lively doctor, Astrov, on whom Sonya has pinned her hopes. For a few weeks, life as they've known it stops. Then the Professor announces his plan to sell up and the incremental tensions in the house clarify as a battle. Vanya's years of solitude and servitude unleash in a torrent of violent words and actions. Under Russell Bolam's direction, it's lively stuff.

In conclusion: You need to like Chekhov to see Chekhov. This production is a good litmus test for first timers. It is true to the original preoccupations and themes, but is culturally current rather than historically, and some might feel hysterically, overblown. The first timer with whom I went found the second half too wordy, but was keen to try more.
References
St James Theatre, Uncle Vanya: Tickets
St James Theatre, Palace Street, Victoria, London SW1. Run ends November 8
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