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| Darkness on the edge of town |
The story concerns a mother and child. When she unexpectedly dies, the child continues normal life as her body slowly decomposes. He talks to her, taking money from her purse for food. Then the electricity is cut and we realise we're sharing his darkness. His mother's words of warning are fresh in our heads: it's not darkness that's scary, it's what people do in the darkness. Nobody did anything odd in our darkness. It was rather restful, actually. Which shows that even where there are no visible boundaries, we create them in our minds.
In conclusion: Inconsistencies in the narrative of Tutto Bene, Mamma? are compensated for by its creation of a different sensory experience that includes smells, though thankfully not all the smells alluded to. We never see the actors. It was good craic seeing it as a group, and it's a pleasure to visit The Print Room with its uniquely generous welcome to punters.
References
The Print Room, Tickets
Lyn Gardner review in The Guardian
The Print Room, 34 Hereford Road, London W2 5AJ

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