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| Splay of Naples |
This is a production bursting with heart; what's missing is evidence of head. The script is littered with wodges of back-story to convince us of character integrity because the characters themselves have so little. Nothing is believable. It is possible that something of the 1940s Italian original has been lost in Tanya Ronder's workaday translation. More scary is the thought that it hasn't.
In conclusion: In terms of plot, this is fast moving comedy, but its presentation and delivery is one-dimensional. As a sauce it should be a sharp and stomach-warming arrabiata, but a surfeit of ham has made it a stodgy carbonara.
References
Almeida Theatre, tickets
Michael Billington in The Guardian
Almeida Theatre, Almeida Street, London N1 1TA This run has now finished.
References
Almeida Theatre, tickets
Michael Billington in The Guardian
Almeida Theatre, Almeida Street, London N1 1TA This run has now finished.

Samantha Spiro is a jewel of the London theatre crowd, however she seems to have attached herself to a rusted crown here! Bring back Hello Dolly I say, it was the only production that matched her acting prowess.
ReplyDeleteThat whole production was fantastic and she was an unforgettable Dolly. She was also spectacular in Chicken Soup With Barley at the Royal Court last year. She has a fantastic, good energy that's infectious, but it's beyond even her powers to salvage this production.
ReplyDeleteExcellent review, yet again. Spot on. We sat in the £8 seats so no complaints (thats the positive thing about the Almeida, plenty of restricted view seats available, but not so restricted you can't see anything , and at very reasonable prices), and to be positive the quality of the acting was very good, if not the narrative or dodgy historical backdrop.
ReplyDeleteI.C
Everything I've seen at the Almeida recently has felt like cartoon-theatre. Every emotion is represented physically as well as verbally - it's like WWF put into a cultural context for the good burghers of Islington:(
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